I’m back from a couple of summer vacations, one to Maine, the other to the mountains of Colorado and it’s time to get back to work on the novel. We saw some of the most spectacular scenery I’ve ever seen in my life, bar none while in the San Juan Mountains, going over Cinnamon and Engineer’s Passes. The tetons may rival it–may.
Sometimes it seems I’m so close to being finished with this book I can taste it, others that the editing just goes on and on and on. It’s going to be a big book, in the 90-100,000 word range, speculative genre. The first draft is finished and my writing group has seen three-quarters of it at this point. It is not an easy task, slogging through this editing, and I wish the writing would go a little faster, a little smoother, but all I can do is apply seat of pants to chair as they say and whittle away at it. Setting weekly goals has helped. Editing is one of those passtimes that can go on and on–I’ve heard it said that you know you’re done editing when you start changing things back to the way you had them before. I try to get to that point with each chapter. I’m having a self-doubt attack this past week, worried about certain parts of the book, which only serves to make the daily work that much more trying. And why am I doing this again?
I had to include this summer poem below, it’s so beautiful. The poem was featured in today’s poetnews@poets.org Our summer nights here in the South resonate with the sentiments expressed–the heartbeat of the cicadas.
| Insect Life of Florida | ||
| by Lynda Hull | ||
In those days I thought their endless thrum
was the great wheel that turned the days, the nights.
In the throats of hibiscus and oleander
I'd see them clustered yellow, blue, their shells
enamelled hard as the sky before rain.
All that summer, my second, from city
to city my young father drove the black coupe
through humid mornings I'd wake to like fever
parcelled between luggage and sample goods.
Afternoons, showers drummed the roof,
my parents silent for hours. Even then I knew
something of love was cruel, was distant.
Mother leaned over the seat to me, the orchid
Father'd pinned in her hair shrivelled
to a purple fist. A necklace of shells
coiled her throat, moving a little as she
murmured of alligators that float the rivers
able to swallow a child whole, of mosquitoes
whose bite would make you sleep a thousand years.
And always the trance of blacktop shimmering
through swamps with names like incantations—
Okeefenokee, where Father held my hand
and pointed to an egret's flight unfolding
white above swamp reeds that sang with insects
net over the sea, its lesson
of desire and repetition. Lizards flashed
over his shoes, over the rail
until I was lost, until I was part
of the singing, their thousand wings gauze
on my body, tattooing my skin.
father rocked me later by the water,
on the motel balcony, singing calypso
above the Jamaican radio. The lyrics
here the citronella burned, merging our
shadows—Father's face floating over mine
in the black changing sound
night, the enormous Florida night,
metallic with cicadas, musical
and dangerous as the human heart.
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